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Nicolae Grigorescu The Guardian of Chailly oil painting


The Guardian of Chailly
Painting ID::  30727
Nicolae Grigorescu
The Guardian of Chailly
nn06 approx 1867 Oil on canvas 88.5x69.5cm National Art Museum of Romania,Bucharest

   
   
     

Nicolae Grigorescu Old Woman with Geese oil painting


Old Woman with Geese
Painting ID::  30728
Nicolae Grigorescu
Old Woman with Geese
nn06 1868 Oil on canvas 66x34cm National Art Museum of Romania, Bucharest

   
   
     

Nicolae Grigorescu Self Portrait oil painting


Self Portrait
Painting ID::  30729
Nicolae Grigorescu
Self Portrait
nn06 Oil on canvas 61.5x43.5cm National Art Museum of Romania,Bucharest

   
   
     

Nicolae Grigorescu Shepherd oil painting


Shepherd
Painting ID::  30730
Nicolae Grigorescu
Shepherd
nn06 Oil on canvas 56x33.5cm Military National Museum,Bucharest.

   
   
     

Nicolae Grigorescu Portrait of the Great Boyar Nicolae Grigorescu oil painting


Portrait of the Great Boyar Nicolae Grigorescu
Painting ID::  30731
Nicolae Grigorescu
Portrait of the Great Boyar Nicolae Grigorescu
nn06 1870 Oil on canvas 119x90cm National Art Museum of Romania,Bucharest

   
   
     

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     Nicolae Grigorescu
     Romanian Painter, 1838-1907 From 1848 he trained in Bucharest with various church painters, producing icons and religious mural decorations. These works, which soon attracted attention, were influenced in style by the Viennese classicism widespread in the Romanian principalities in the early 19th century and by the Italian academicism established there after 1850 by Gheorghe Tattarescu. The earliest of his known paintings are in the church of SS Constantin and Elena at Baicoi, where his signature can be seen beside that of Nita Pereescu on the icon of St George (1853). He subsequently painted a series of icons (1854-5) at Caldarusani Monastery. In the later ensembles he was assisted by his older brother Georghe Grigorescu, who participated under his direction in the decoration of churches, such as those of the Zamfira (1856-8) and Agapia (1858-60) monasteries. In Nicolae's paintings at Agapia, classicism in Romanian art reached its highest point. The royal icons are distinguished for the elegance of the figures, both in their attitudes and in their drapery.

     Related Artists::.
     | Otto Reiniger | Jean-Baptiste Santerre | ES, Jacob van |


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